Double Your Donation!

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We are proud to announce that Nancy Nordhoff, founder and benefactor of Hedgebrook, has offered to match every donation to Storyknife made between 10/31/18 and 12/31/18. 

Storyknife is growing. Together with others like you who believe in our vision, we have raised $539,000 toward building six cabins and the main building. We’ve applied for foundation support from several organizations, and we hope that we’ll be able to start building in April of 2019. That means that April 2020 would be the start of our first full season of women writers in residence, 42 women learning that their stories matter.

We’re reaching out to you to ask if you would be willing to help. We still need to raise a remaining funds for the capital campaign, as well as $130,000 for annual operating budget. And remember, if you donate between now and the end of the 2018, your donation will go TWICE as far. (Remember, Storyknife is a nonprofit corporation, and your donation is entirely tax deductible.)

We are grateful for all of your support. Remember, #WomensVoicesMatter. 

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Storyknife’s Wellspring

Spring-waterA few weeks ago, I wrote to tell you how board member Katherine Gottlieb inspired Storyknife founder Dana Stabenow to apply to Hedgebrook and gifted her with the Storyknife that inspired our name. In so many ways, Katherine has been a wellspring for Storyknife. When Deborah McNeil offered to donate $25,000 for the well and water distribution system for Storyknife and dedicate it to Katherine, we could think of nothing more appropriate.

plumblevelsquare_smDeborah is the manager of the Plumb, Level, and Square fund that was created to honor her husband Tim McNeil and his mother Dorothy. As Deborah passed along to us: Plumb, level, square. Three words describing carpentry, and three words describing both the character and lives of Dorothy McNeil and her son, Tim McNeil. Plumb, because they were upright and experienced life fully; Level, because they lived truthful lives; and Square, because they were fair, honest, and direct people.

gottlieb_smStoryknife is beyond grateful for the support of Deborah and the Plumb, Level, and Square fund. The opportunity to honor Katherine Gottlieb in this way is incredibly special. Katherine has not just inspired and supported Dana’s dreams, but so many people in the state of Alaska through her role as President and CEO of Southcentral Foundation, the non-profit health arm of Cook Inlet Region, Inc., not to mention her participation as a CIRI shareholder, Old Harbor tribal member, and Seldovia tribal member.

We are now two weeks into our eight week end-of-year fundraising campaign. Plumb, Level, and Square’s donation has certainly put some gas in our tank, as well as the generosity of other folks who have wanted to take advantage of Nancy Nordhoff’s offer to match all donations to Storyknife until the end of the year. Remember, in your year-end giving, if you donate before 1/1/19, your donation will go twice as far. There are also still opportunities to memorialize an important person with your donation.

Every donation puts us that much closer to providing a place to honor and nurture women writers. We really want to break ground in April 2019, and with your help, we can. We are grateful, so very grateful, for all of you generous people. Thank you!

Unfurling Again, by Ching-In Chen

June’s Storyknife fellow, Ching-In Chen sent us this beautiful zuihitsu* in response to their time in residence. We are so pleased to share it with you.

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Unfurling Again: revisiting a zuihitsu

          Arriving again three plane rides and time zones away at a practice I return to – patience when there is no one else but me to wait for. In another landscape of air, horizon of blue, I unpeel my wintertime selves, cram myself full of light.

          ~

         From another time and place, Arthur Sze on a collaboration with Susan York, The Unfolding Center:  “Yes, there’s a lot of what I consider breathing tides; inhaling, exhaling, the physicality of breath and the turning points …”

         I didn’t know it, but my earlier self had planned a pause – a breath from my post-hurricane headaches, ever-advancing tension.

          ~

The writer’s conference, greedy with words, watching myself turn in another life.

         Build fragments, small migrations of pen. Watching window, adapting through forest, an ear out as I learn about plants.

A new friend calls and says walk, so I walk on stones and listen for seepage. In the wind, we talk and secret, make private adventures. I cultivate a habit of visiting.

         Listen for sun through the windowpane of a not-present woman’s house. Search anyway for her imprint, her breath recorded in condensed walls.

I am looking to make a routine ritual, even if only temporary, even to say, I have a home, a small temporary one, space for expansive dreaming, for measuring my own breath.

         ~

         Leap. But I am not doing it. This is where the fight begins – a familiar dance visits whenever I gain access to a small sleeve of time. All my wintertime selves rush in from their corners and duties, turn their backs to me, shut their mouths down at the corner. I leave them their space, escape to the library, waiting for crosshatch escape words to stack into a route.

         There is one behind the library, hatched with a short bit of story. I follow until it rains, and turn down a new path, looking for the next page to turn.

         ~

Visiting ocean, I walk to sand, touch a starfish, memorize texture. I lift myself high and lose a field. As an afterthought, I send someone beloved my location in case. I cannot say it is not a pleasurable time, a churn into deep excavation. A layer of muscle and letting go.

         I stretch my own day, my own body. Climb to see a field of ice, intimate array when it starts to dusky rain. Behind me, a man – pilot – carries song like a passport, protection against large creatures, lantern spiraling down through stone.

         ~

         In another time and place, I chastise myself: Sitting with myself, the practice of it, and nowhere to hide. Contending with my own creatures. Inviting old friends, those daily mutants, granting them tiny gifts to battle on page.

         *

These same writing questions from the corner. And the daily process, practice of answer.

———

*If you are unfamiliar with the form, zuihitsu is a genre of Japanese literature consisting of loosely connected personal essays and fragmented ideas that typically respond to the author’s surroundings. The name is derived from two Kanji meaning “at will” and “pen.”

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We are proud to announce a new board member, Pearl Kiyawn Brower

brower_webIt is with great pleasure that we introduce you to Dr. Pearl Brower, our newest board member at Storyknife. We are growing! Dr. Brower is currently the President of Iḷisaġvik College, Alaska’s only Tribal College.  She has been with the College since 2007 working in External Relations, Institutional Advancement, Student Services, and Marketing. She has served as President since 2012. Prior to working for the College Dr. Brower managed an education and culture grant for the North Slope Borough for three years and worked as the Museum Curator of the Iñupiat Heritage Center.

Dr. Brower grew up in both Barrow, Alaska and in northern California practicing a subsistence lifestyle in both areas.  She has a daughter, Isla, who is 6 and along with her husband, Jesse Darling, lives in Barrow, Alaska where she loves to be close to her culture and community. Brower was named one of Alaska’s Top 40 Under 40 in 2015.

Dr. Brower is active in her community in Barrow, on the North Slope and statewide.  She is Board Member of the Friends of Tuzzy Library and is a co-founder of Leadership:Barrow.  She serves on the Wells Fargo Community Advisory Board, serves as the Vocational/Tribal representative on the Alaska Postsecondary Access and Completion Network, serves on the Alaska Airlines Community Advisory Board, on the Foraker Group’s Operations Board, as a Commissioner for the State of Alaska Commission on Postsecondary Education, and is the Chair of the Advisory Board for the Tribal College Journal.

She holds a B.A. Anthropology and B.A. Alaska Native Studies from University of Alaska Fairbanks, 2004, a Masters in Alaska Native and Rural Development from University of Alaska Fairbanks, 2010, and a  Ph.D. in Indigenous Studies, with an emphasis in Indigenous Leadership from the University of Alaska Fairbanks, of May 2016.

Welcome, Dr. Brower!

We are proud to announce a new board member, Katherine Gottlieb

gottlieb_smWe are proud to announce that Katherine Gottlieb is the newest member of Storyknife’s Board of Directors. Prior, she was a member of our advisory council. She has been part of Storyknife’s history even before the actual organization came into being.

Katherine Gottlieb is President and CEO of Southcentral Foundation, the non-profit health arm of Cook Inlet Region, Inc. Visiting Scientist at Harvard University. MacArthur Award recipient. CIRI shareholder, Old Harbor tribal member, Seldovia tribal member, mother of six and grandmother to many more.

In the spring of 1988, the Anchorage Daily News ran a story about a retreat for women writers on Whidbey Island in Washington state called Hedgebrook. Dana Stabenow read it and thought, How wonderful for some lucky writer. Katherine read it and called Dana and said, “You should apply for that.” Dana said, “Are you crazy? They’d never take me.” Katherine called again the next day and said, “Did you apply?” And the next day. And the next day. Her diligence worked, because Dana applied, was accepted, and became one of Hedgebrook’s first residents in October 1988.

In 1993, Dana Stabenow’s first Kate Shugak novel (Fun fact: Shugak is Katherine’s mom’s maiden name) was nominated for an Edgar Award. Katherine went to New York City to accompany Dana at the awards ceremony. Before they went downstairs to the banquet, she gave Dana an ivory storyknife brooch which Dana wore onstage when she won. Hedgebrook, to which Katherine nagged Dana to apply, was the inspiration for Storyknife, and, with her gift of that brooch, she named it, too. It seems only a natural progression of events that she is now a member of Storyknife’s Board of Directors and we are so honored to work with her.

Writing with no expectations

We are grateful for this blog post by July’s fellow, Sharbari Ahmed:

IMG_4648“Sometimes having no expectations is the best way to approach the unknown. That is how I traveled to Homer, and the Storyknife Residency; an overpacked suitcase (I wore the same pants every day for two weeks, fancy skinny jeans were left untouched) and light on expectation. As a result, I experienced an abundance of riches. I didn’t even think about Homer’s inevitable beauty before I got there. I wanted to be awed, surprised even, and I was. The three volcanoes outside my window put things into perspective very quickly. If I needed any more reminding of my personal insignificance it was ready and waiting for me the moment I saw the mountains and the water. I had to shed the notion that I was somehow indulging myself by getting lost in Alaska for 14 days to focus on me and the story I wanted to write. That lingered a bit too long, three days to be exact, and is a by product of being a mother and a woman. The center was not going to collapse because I was in my cabin writing and minding my own business. This understanding was just as important as the 21,000 words I wrote in two weeks. The cabin, the water, mountains, wildflowers I bought at the Farmer’s Market, Erin and Dana all gave me permission to be. Yes, I needed that permission, even though I have been writing for half my life and producing work that sees publication. Everything is slower in Homer and people smile at you, make eye contact. Dana introduced me to locals and people were naturally warm. Even though I was alone most of the time, I didn’t feel alone. But I felt space, I felt my chest expand.

IMG_4696Back to my smallness in the face of natural beauty and the wildness of things: it’s good, it’s necessary for me to be reminded of it, so I can create. I kayaked on the bay and was exhausted by the end of it, but my lungs were filled with fresh salt air and the next day I sat down and wrote a chapter that I am proud of. I was the straggler in the kayak group. It was rainy and cold, and the currents were strong, and I couldn’t get a good picture of a cheeky baby otter, and once again, my smallness hit me IMG_4694in the face, along with the salt water and how short my arms were. And then I felt it, something I had not felt in decades, peace. Everything around me was saying, it’s going to be ok. Whatever “it” was.  It didn’t last. I came back to reality, however I achieved clarity on a few things because of all the silence I was surrounded by and produced 21,000 words. Had I stayed another two weeks I would have finished the first draft of my new novel. Of that I am sure. I must come back. It’s healing. And necessary.”

We hope to be able to offer this experience to many more women in the future. But even if you’re not at Storyknife today, women writers, we want you to know that your words are important, your stories matter. Keep writing.

#WomensVoicesMatter

Storyknife Progress

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The first two weeks of September have been a glorious end to summer here at Storyknife. In fact, it’s been a year stuffed full of goodness.

In the beginning of the year, the board of Storyknife and I worked with the Foraker Group as part of the Pre-Development Program. We talked about dreams, goals, a vision for where Storyknife will grow, and the outcome was a strategic plan. Then we talked about budgets, costs, impact, constituents, and so much more and finally the outcome was a business plan that is sustainable.

I want to share the envisioned future of Storyknife from our strategic plan:

  • Fostering women’s powerful and necessary voices
  • Providing women a supportive community and the time and space to devote to writing
  • Lending cultural weight to women’s writing
  • Creating an environment of caring and hospitality
  • Creating a bedrock upon which women writers feel secure in exploring difficult, experimental, and engaging work
  • Providing a place that is beautiful, thoughtfully constructed, and nurturing
  • Fostering a level of respect (cultural and personal) for each woman and her creative process

June rolled around and we began to host our 2018 fellows, Ching-In Chen, Sharbari Ahmed, and Casandra Lopez. Three extraordinary women writers that were chosen from 97 applicants. It’s hard to express how much it saddens me when the letters go out to say sorry, you were not chosen this year. There was not one woman writer who applied who did not deserve to have her voice respected, fostered, taken care of. And the Storyknife call for applicants did not reach even a fraction of the women writers who deserve a residency.

Over the next few months, we’ll be sending out newsletters to let folks know what’s in store and how you might help. So many exciting things are in the works, and we can’t wait to share them with you. One way you can help that takes almost no effort at all: please share our website, our Facebook page, our newsletter signup link with everyone you know that believes that women’s voices matter.

Thank you for all your support in the past and we look so forward to moving into the future together.

Sincerely,

Erin Hollowell, Executive Director Storyknife

2018 Residency Fellows Announced

Storyknife Writers Retreat received 97 applications for residencies during 2018. The selection committee was incredibly impressed by the quality of the work they received. It was difficult to narrow it down to the three writers who will have a chance to spend time devoted to their writing at Storyknife this year. We are so proud to announce the following three amazing writers are our 2018 Storyknife fellows. I hope you will join us in congratulating them!

sm_Ching-In_Cassie Mira Nicholson photographerChing-In Chen is the author of The Heart’s Traffic (Arktoi/Red Hen Press, 2009) and recombinant (Kelsey Street Press, 2017).They are a Kundiman, Lambda and Callaloo Fellow and a member of the Macondo and Voices of Our Nations Arts Foundations writing communities. Chen is also the co-editor of The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities (South End Press, 2011; AK Press 2016) and Here Is a Pen: an Anthology of West Coast Kundiman Poets (Achiote Press, 2009). Their work has appeared in The Best American Experimental Writing, The &NOW Awards 3: The Best Innovative Writing, and Troubling the Line: Trans and Genderqueer Poetry and Poetics. A poetry editor of the Texas Review, they currently teach creative writing at Sam Houston State University. www.chinginchen.com

sm_Sharbari-6467Sharbari Ahmed’s fiction has appeared in The Gettysburg Review, The Asian Pacific American Journal, Catamaran, Caravan Magazine, Inroads, and Wasafiri among others and is forthcoming in Painted Bride Quarterly. She was on the writing team for Season One of the TV Series, “Quantico” on ABC. Most recently she wrote the screen adaptation of Mitali Perkin’s Middle Grade novel Rickshaw Girl. Her debut book The Ocean of Mrs. Nagai: Stories was released in November 2013 by Daily Star Books. She is a Tribeca All Access Fellow for her screenplay Raisins Not Virgins. She is on the faculty of the MFA program at Manhattanville College and the Film Television MA Program at Sacred Heart University. She was born in Bangladesh and raised in New York, Connecticut and Ethiopia and lives in Darien, CT.

sm_Headshot CLopezCasandra Lopez is a Chicana and California Indian (Cahuilla/Tongva/ Luiseño) writer who’s received support from CantoMundo, Bread Loaf and Jackstraw. She’s been selected for residencies with SAR and Hedgebrook. Her chapbook, Where Bullet Breaks was published by the Sequoyah National Research Center and her poetry collection Brother Bullet is forthcoming from University of Arizona press. She’s a founding editor of As Us  and teaches at Northwest Indian College.

A huge thank you to our amazing selection committee. We are so looking forward to this summer!

Sue’s Cabin

In December, beloved mystery writer, Sue Grafton passed away. A #1 New York Times-bestselling author, Sue Grafton published in twenty-eight countries and in twenty-six languages—including Estonian, Bulgarian, and Indonesian. Books in her alphabet series, beginning with A is for Alibi in 1982 and most recently, Y is for Yesterday, are international bestsellers with readership in the millions. Her 25 novels featuring the private eye Kinsey Millhone established the hard-boiled female detective as a viable alternative to the males who had dominated the genre.

From The Guardian on January 3, 2018, “Sue Grafton’s influence on writers was immense, not only through Millhone but also on a personal level. The crime writer Meg Gardiner, a big fan, said: ‘With every page I wished: Kinsey Millhone, be my friend. Beyond that [she] showed me how a female series heroine could work … I thought: Yes. Give me more. And let me learn to write fiction that aspires to be as good.’”

Dana Stabenow thought that a wonderful way to honor Sue’s dedication to the written word and women writers would be to raise the money to name a cabin at Storyknife Writers Retreat after her. At this time, the funds for the other five cabins have been pledged or donated. This is the last cabin to name (though we have many other opportunities to name a part of Storyknife after an inspirational woman in your life), and it would be fabulous to have it commemorate a writer whose strong heroine inspired so many.

To that end, we’ve set up a dedicated fundraising page to the campaign to raise $50,000 to name a cabin for Sue. If you are one of those millions who love Sue Grafton and Kinsey Millhone, please consider donating to help us reach the goal of building Sue’s Cabin, not just to honor her memory, but to provide a place for women writers to create their own novels, essays, and poems to inspire generations to come.

Donate here, and thank you for helping make Storyknife a reality for women writers everywhere. Please share with everyone who might want to take part.

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Donate to Sue’s Cabin

One Cabin Left!

As of January 22, 2018, funding has been secured or pledged for five of the six cabins that will comprise the Storyknife Writers Retreat. Each of the cabins will be named for an Alaskan woman of distinction. There is one more cabin that is available for support. Donations in the amount of $50,000 give the funder naming privileges. If you think that you might like to name a cabin after a woman who has made an incredible impact in your life or the lives of others, now would be a good time to contact us!

Last May, the final funds for the main house were secured. Former Alaska Writer Laureate, Peggy Shumaker and her husband Joe Usibelli matched and doubled the donations of one hundred and twelve people. The main house will be named after Homer writer and poet, Eva Saulitis.

In its first two years of operation, Storyknife has been able to offer five women month-long residencies in which to devote their time solely to writing. When the entire residency is built, it will be able to offer at minimum 42 women residencies each year.

We are in the middle of the adjudication for this year’s residencies. There were 97 applications for 3 spaces! Every applicant has hopes and dreams for her writing. How we wish we could award time to all of them. Any help you can give us to cross the finish line at funding the entire infrastructure and building cost would be most joyously welcomed. And thank you again, to all of the people whose generosity has brought us this far!